What have I learned from observing and developing yarns and textiles?
- drawing from primary sources is a necessary starting point to gather original material for making future developmental work unique
- researching other artists’ and designers’ work provides ideas for new directions to take your work in
- similarly to yarns, textiles can be infinitely varied by playing with colour palette, pattern, motif, scale, fabric weight and opacity and the treatments applied (eg printing, batik, embroidery etc)
- revisiting earlier coursework refreshed my memory about ideas, techniques and processes that I could use and also aided evaluation of what had gone before, and how it could inform current work
- one design could be adapted to suit many end uses, from textiles for the craft market, to fashion, to interiors. Techniques applied and materials used can be varied to suit a luxury, mid or mass market
- considering the context of the textiles is helpful in determining the scale of the design and type of pattern that is suitable to the end use
- experimenting with a single type of fabric provides knowledge of what is possible with that material
Strong points of my work
Experimental approach; varied research; a variety of techniques used to create a related set of ‘mix and match’ textiles inspired by plants. Simple presentation of my developmental process in a book format. A workbook keeps research, inspirations and unused ideas ready for future reference.
Weaker aspects of my work
I felt that I was rushing through the textile creation phase due to time constraints, and would have liked to spend longer exploring possible variations and developments for the textiles. I think that I should have concentrated on just the final six textiles in the presentation book, but I had already mounted the earlier samples before beginning Assignment 5, so I just had photographic references to show that part of the development process.
I re-acquainted myself with batik and paint-on dye techniques. I aimed to work in a productive and logical way in creating these textiles, using sampling and drawing to achieve this. Thinking about the context of the capsule collection was helpful in determining suitable materials to work with, and the scale of the patterns required.
Potential work in future based on this project
The potential for printed and batik fabrics is exciting, and I can imagine combining these with stitch and rug making techniques to produce interesting wall art. I enjoyed the bold, flat colour and non-fraying aspect of felt and will use that fabric again. The whole development process has illustrated the importance of gathering original source material; carrying out related research; making samples, exploring materials and combinations thereof; drawing, evaluating and reflecting on the work at every stage; revisiting earlier work; pushing the sample-making and ideas further than my first thoughts, and these are all techniques that I will incorporate into my practice.